Making sure that a photographer and their client can see images in real time is probably the second most important part of my job as a digital tech (after ensuring data integrity). A dedicated client monitor can be one of the most helpful tools that any photographer can have on set. However, sometimes the constraints of location work can make it impractical or virtually impossible to have a traditional wired secondary monitor set up. Whether I’m dealing with a client video village far from set or a fast paced run and gun shoot where bulky cables can quickly become a nuisance, wireless monitor solutions can be a lifesaver.
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